Let us ignore the clothes (and the lack of black models) for a moment and just focus on the lion.
I saw this absolutely fabulous beast as a twitpic on Bryan Boy’s twitter and couldn’t believe the scale of the thing.
But after being confirmed on various fashion related website I realised thatKarl did indeed install a massive golden lion in the Grand Palais which pawed a gigantic pearl from which the models emerged from. Amazing. Forget the clothes, the set alone was incredible, it even topped the barn and ice themes from SS and AW 2010 collections.
Karl said that the inspiration for the lion motif- which also appeared on the Chanel invites, not that I was lucky enough to receive one-was because Coco Chanel’s star sign was a Leo but to be honest it was probably just an excuse to install an enormous 40 ft gold lion, not that he needed one.
Now onto the clothes. It was much more regal and back to Chanel’s roots than the Neo Romantic theme of Spring Summer 2010 with none of the Barbie/Flintstones hair and makeup and instead a simple look with red stained lips the only statement. The hemlines just above or below the knee, fur trims, golden embellishments and an abundance of darker colours which will be perfect hues come autumn/winter with shades of plum, charcoal and deep royal blue appearing. All of which came to a sartorial climax near the end when Karl sprinkled a little bit more sparkle onto the runway with my favourite looks here:
Then came the spectacular finale where a model emerged from the giant pearl, hand in hand with a man in a tux wearing a fierce lion mask. Then in a breathtaking Beauty and the Beast moment the mask was whipped off to reveal Karl’s muse; Baptiste Giabiconi.
What did you think of Karl's latest creation?Beth Ruby xoxo
